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<channel>
	<title>à la sauvette</title>
	<link>https://alasauvette.studio</link>
	<description>à la sauvette</description>
	<pubDate>Wed, 22 Feb 2023 16:23:09 +0000</pubDate>
	<generator>https://alasauvette.studio</generator>
	<language>en</language>
	
		
	<item>
		<title>Home (presentation)</title>
				
		<link>https://alasauvette.studio/Home-presentation</link>

		<pubDate>Sat, 18 Feb 2023 08:46:23 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Home-presentation</guid>

		<description>
	à la sauvette is a canary—islands—based creative studio (28º7’N - 15º25’W)


</description>
		
	</item>
		
		
	<item>
		<title>Our work (list)</title>
				
		<link>https://alasauvette.studio/Our-work-list</link>

		<pubDate>Sat, 18 Feb 2023 08:46:58 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Our-work-list</guid>

		<description>
	&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" data-mid="168852598" border="0"  src="https://freight.cargo.site/w/800/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" data-mid="168852598" border="0"  src="https://freight.cargo.site/w/800/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" /&#62;





Visions By — 
Issue no. 3&#38;nbsp;
(Harvard GSD, US)&#60;img width="2739" height="4000" width_o="2739" height_o="4000" data-src="https://freight.cargo.site/t/original/i/862a179e087f53994071c0e486e8061557359dfc86b019a8f23e15309e6074af/_DSF8211-copy_bn.jpg" data-mid="168852605" border="0"  src="https://freight.cargo.site/w/1000/i/862a179e087f53994071c0e486e8061557359dfc86b019a8f23e15309e6074af/_DSF8211-copy_bn.jpg" /&#62;&#60;img width="2739" height="4000" width_o="2739" height_o="4000" data-src="https://freight.cargo.site/t/original/i/862a179e087f53994071c0e486e8061557359dfc86b019a8f23e15309e6074af/_DSF8211-copy_bn.jpg" data-mid="168852605" border="0"  src="https://freight.cargo.site/w/1000/i/862a179e087f53994071c0e486e8061557359dfc86b019a8f23e15309e6074af/_DSF8211-copy_bn.jpg" /&#62;Bailar La Ciudad
(Las Palmas GC, IC)
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/b16abe50df4e4d4354bb5590c3718672a70d6dcb4dfc8bdd70975bb120cd7b3f/BLC.jpg" data-mid="168852602" border="0"  src="https://freight.cargo.site/w/800/i/b16abe50df4e4d4354bb5590c3718672a70d6dcb4dfc8bdd70975bb120cd7b3f/BLC.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/b16abe50df4e4d4354bb5590c3718672a70d6dcb4dfc8bdd70975bb120cd7b3f/BLC.jpg" data-mid="168852602" border="0"  src="https://freight.cargo.site/w/800/i/b16abe50df4e4d4354bb5590c3718672a70d6dcb4dfc8bdd70975bb120cd7b3f/BLC.jpg" /&#62;



The Garden of Attractor Sounds
(Berlin, DE)
&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/ee9c64c961733f88d3b190616161e9312f57e1d9f27e3b307d5acbd20f6bc12d/tgoas.jpg" data-mid="168852596" border="0"  src="https://freight.cargo.site/w/800/i/ee9c64c961733f88d3b190616161e9312f57e1d9f27e3b307d5acbd20f6bc12d/tgoas.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/ee9c64c961733f88d3b190616161e9312f57e1d9f27e3b307d5acbd20f6bc12d/tgoas.jpg" data-mid="168852596" border="0"  src="https://freight.cargo.site/w/800/i/ee9c64c961733f88d3b190616161e9312f57e1d9f27e3b307d5acbd20f6bc12d/tgoas.jpg" /&#62;



Moving Layers
(Lisbon, PT)
&#60;img width="611" height="727" width_o="611" height_o="727" data-src="https://freight.cargo.site/t/original/i/f98c9590fef700a74a1edfc349d7be71c7fdc8dcb01a8039ad84f0dc974e7763/ml.jpg" data-mid="168855565" border="0"  src="https://freight.cargo.site/w/611/i/f98c9590fef700a74a1edfc349d7be71c7fdc8dcb01a8039ad84f0dc974e7763/ml.jpg" /&#62;&#60;img width="611" height="727" width_o="611" height_o="727" data-src="https://freight.cargo.site/t/original/i/f98c9590fef700a74a1edfc349d7be71c7fdc8dcb01a8039ad84f0dc974e7763/ml.jpg" data-mid="168855565" border="0"  src="https://freight.cargo.site/w/611/i/f98c9590fef700a74a1edfc349d7be71c7fdc8dcb01a8039ad84f0dc974e7763/ml.jpg" /&#62;



BLC editorial work
(Las Palmas GC, IC)
&#60;img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/3588dc35f8727f77040e3dc4128915112cd1479f1f92c6cc463ae81c8dc59df4/BLC-b.jpg" data-mid="169326322" border="0"  src="https://freight.cargo.site/w/600/i/3588dc35f8727f77040e3dc4128915112cd1479f1f92c6cc463ae81c8dc59df4/BLC-b.jpg" /&#62;&#60;img width="611" height="727" width_o="611" height_o="727" data-src="https://freight.cargo.site/t/original/i/f98c9590fef700a74a1edfc349d7be71c7fdc8dcb01a8039ad84f0dc974e7763/ml.jpg" data-mid="168855565" border="0"  src="https://freight.cargo.site/w/611/i/f98c9590fef700a74a1edfc349d7be71c7fdc8dcb01a8039ad84f0dc974e7763/ml.jpg" /&#62;



Three Parties in Wonderland
(London, Paris,Lisbon)
&#60;img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/e035edbee77b038b8381d297c852366e731bffb44f73dcbc89d74d51b70d6c3d/tpiw.jpg" data-mid="168852597" border="0"  src="https://freight.cargo.site/w/600/i/e035edbee77b038b8381d297c852366e731bffb44f73dcbc89d74d51b70d6c3d/tpiw.jpg" /&#62;&#60;img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/e035edbee77b038b8381d297c852366e731bffb44f73dcbc89d74d51b70d6c3d/tpiw.jpg" data-mid="168852597" border="0"  src="https://freight.cargo.site/w/600/i/e035edbee77b038b8381d297c852366e731bffb44f73dcbc89d74d51b70d6c3d/tpiw.jpg" /&#62;



Dance is Politics
(anywhere)&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/7e17df072cbf6b105ee405b6d8d631c1cd5918b16e86cee2c732dc04c2561b44/dip.jpg" data-mid="168852601" border="0"  src="https://freight.cargo.site/w/800/i/7e17df072cbf6b105ee405b6d8d631c1cd5918b16e86cee2c732dc04c2561b44/dip.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/7e17df072cbf6b105ee405b6d8d631c1cd5918b16e86cee2c732dc04c2561b44/dip.jpg" data-mid="168852601" border="0"  src="https://freight.cargo.site/w/800/i/7e17df072cbf6b105ee405b6d8d631c1cd5918b16e86cee2c732dc04c2561b44/dip.jpg" /&#62;



Territorio Común
(Las Palmas GC, IC)
&#60;img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/30ed497d4c52cabade90491046618a2a5096b58252350ce1c3ad055d863e1182/TC.jpg" data-mid="171596921" border="0"  src="https://freight.cargo.site/w/600/i/30ed497d4c52cabade90491046618a2a5096b58252350ce1c3ad055d863e1182/TC.jpg" /&#62;&#60;img width="600" height="800" width_o="600" height_o="800" data-src="https://freight.cargo.site/t/original/i/30ed497d4c52cabade90491046618a2a5096b58252350ce1c3ad055d863e1182/TC.jpg" data-mid="171596921" border="0"  src="https://freight.cargo.site/w/600/i/30ed497d4c52cabade90491046618a2a5096b58252350ce1c3ad055d863e1182/TC.jpg" /&#62;

¡Pasa del crucero!
(Arrecife, IC)&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" data-mid="168852598" border="0"  src="https://freight.cargo.site/w/800/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" data-mid="168852598" border="0"  src="https://freight.cargo.site/w/800/i/51a89737ced8a2f0a97157a87af7e3f51da70f2b12bae94ec8bc251c6645ad9c/pdc.jpg" /&#62;The Right to Dance
(Laussane, CH)&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/4ffb1e69a4cf002528ea91f724f714fe49d4f76517c01cfcb3e27dc1498a2e18/trtd.jpg" data-mid="168852599" border="0"  src="https://freight.cargo.site/w/800/i/4ffb1e69a4cf002528ea91f724f714fe49d4f76517c01cfcb3e27dc1498a2e18/trtd.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/4ffb1e69a4cf002528ea91f724f714fe49d4f76517c01cfcb3e27dc1498a2e18/trtd.jpg" data-mid="168852599" border="0"  src="https://freight.cargo.site/w/800/i/4ffb1e69a4cf002528ea91f724f714fe49d4f76517c01cfcb3e27dc1498a2e18/trtd.jpg" /&#62;



Yale Paprika!
(London, Paris,Lisbon)
&#60;img width="442" height="664" width_o="442" height_o="664" data-src="https://freight.cargo.site/t/original/i/6d5dcfeb5f615cb0f963fcf47d1c2292fdd64278c7d05a3b2ba57fe02e98cdec/stfa.jpg" data-mid="168852600" border="0"  src="https://freight.cargo.site/w/442/i/6d5dcfeb5f615cb0f963fcf47d1c2292fdd64278c7d05a3b2ba57fe02e98cdec/stfa.jpg" /&#62;&#60;img width="442" height="664" width_o="442" height_o="664" data-src="https://freight.cargo.site/t/original/i/6d5dcfeb5f615cb0f963fcf47d1c2292fdd64278c7d05a3b2ba57fe02e98cdec/stfa.jpg" data-mid="168852600" border="0"  src="https://freight.cargo.site/w/442/i/6d5dcfeb5f615cb0f963fcf47d1c2292fdd64278c7d05a3b2ba57fe02e98cdec/stfa.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>/ VISIONS BY /</title>
				
		<link>https://alasauvette.studio/VISIONS-BY</link>

		<pubDate>Mon, 31 Oct 2022 21:52:26 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/VISIONS-BY</guid>

		<description>



	Visions By Issue no.3
	Location: Harvard GSD. Boston, MA




&#60;img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/42ed397fcfe095398afccc93bb67c0bf4108dfc199ff377ad6e60d55004e3e93/02_03.jpg" data-mid="157517413" border="0"  src="https://freight.cargo.site/w/1000/i/42ed397fcfe095398afccc93bb67c0bf4108dfc199ff377ad6e60d55004e3e93/02_03.jpg" /&#62;
&#60;img width="4000" height="3325" width_o="4000" height_o="3325" data-src="https://freight.cargo.site/t/original/i/4e34b457d2b794407f7ff89c10d46573e39c96342d38bcbd69d304f82acc53e7/01_03_edit.jpg" data-mid="157517421" border="0"  src="https://freight.cargo.site/w/1000/i/4e34b457d2b794407f7ff89c10d46573e39c96342d38bcbd69d304f82acc53e7/01_03_edit.jpg" /&#62;
&#60;img width="2739" height="4000" width_o="2739" height_o="4000" data-src="https://freight.cargo.site/t/original/i/beb4b54b7f375cdbaf69430ea02d6aaf6165d26981f4d4b12ab495fa62d2bf0c/_DSF8211.jpg" data-mid="157517417" border="0"  src="https://freight.cargo.site/w/1000/i/beb4b54b7f375cdbaf69430ea02d6aaf6165d26981f4d4b12ab495fa62d2bf0c/_DSF8211.jpg" /&#62;


	

︎



	



Installation for the launching of VISIONS BY Issue No. 3: People about Material Cultures at HarvardGSD. Organized by SpainGSD with the support of Real Colegio Complutense at Harvard. &#38;nbsp;

The installation tests the limits of a single material through a series of operations: stretched, pierced, or preserved in plastic. The silk flags are treated like bodies that, immersed in a quasi-medical environment, are subject to the artificial modification of their organic materiality.







	

&#60;img width="2661" height="4000" width_o="2661" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0f79d8b0485686a1f616bc1470b4f80f63fe64fd99d63d35d6d0b72bb12987e5/02_02_edit.jpg" data-mid="157517412" border="0"  src="https://freight.cargo.site/w/1000/i/0f79d8b0485686a1f616bc1470b4f80f63fe64fd99d63d35d6d0b72bb12987e5/02_02_edit.jpg" /&#62;
&#60;img width="2567" height="4000" width_o="2567" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d0044008c0da68453dcf4b37928f6b1076bd03a2f8ad575f4050c34122652b52/_DSF8238.jpg" data-mid="157517418" border="0"  src="https://freight.cargo.site/w/1000/i/d0044008c0da68453dcf4b37928f6b1076bd03a2f8ad575f4050c34122652b52/_DSF8238.jpg" /&#62;
&#60;img width="2661" height="4000" width_o="2661" height_o="4000" data-src="https://freight.cargo.site/t/original/i/842888933f355adf110640ceca1df7e81049e78dbbbd3ae39be5476fce70b7bd/02_01_edit.jpg" data-mid="157517409" border="0"  src="https://freight.cargo.site/w/1000/i/842888933f355adf110640ceca1df7e81049e78dbbbd3ae39be5476fce70b7bd/02_01_edit.jpg" /&#62;
&#60;img width="2848" height="4000" width_o="2848" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3b9253a6101309625144a9d4ea377f1386f4a6fdad75e699862644f70f24fee3/01_01.jpg" data-mid="157517419" border="0"  src="https://freight.cargo.site/w/1000/i/3b9253a6101309625144a9d4ea377f1386f4a6fdad75e699862644f70f24fee3/01_01.jpg" /&#62;
&#60;img width="2626" height="4000" width_o="2626" height_o="4000" data-src="https://freight.cargo.site/t/original/i/675982c2316e49e9d32d7cd920c7882f1ce069e9df24264d3f9eb7a71355db71/01_02.jpg" data-mid="157517420" border="0"  src="https://freight.cargo.site/w/1000/i/675982c2316e49e9d32d7cd920c7882f1ce069e9df24264d3f9eb7a71355db71/01_02.jpg" /&#62;

&#38;nbsp;
&#38;nbsp;

	

+ Team: Pablo Castillo, Ernesto Ibáñez, Héctor Suárez, Fernando Garrido
+ Original Idea: à la sauvette and Fernando Garrido+ Talks: Ariadna Serrahima and Saul Baeza in Conversation with Michelle Chang+ Creative Production: Tai Sans&#38;nbsp; /&#38;nbsp;

Music: Jeffery Cheung

+ Photos: Randy Crandon
	
2022

</description>
		
	</item>
		
		
	<item>
		<title>/ Bailar la Ciudad /</title>
				
		<link>https://alasauvette.studio/Bailar-la-Ciudad</link>

		<pubDate>Tue, 30 Nov 2021 18:48:33 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Bailar-la-Ciudad</guid>

		<description>


	Bailar La Ciudad
	Location: Las Palmas de Gran Canaria, IC




Bailar La Ciudad (To Dance the City)
is a cultural project that explores the present, past, and future of local celebrations
in the public space. 






&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/537bc4b1caa7cc0b6cee156cad00498f093e149b014be3faa92a2b60375ff3fb/David-Rodriguez-4.jpg" data-mid="169318105" border="0"  src="https://freight.cargo.site/w/1000/i/537bc4b1caa7cc0b6cee156cad00498f093e149b014be3faa92a2b60375ff3fb/David-Rodriguez-4.jpg" /&#62;

	























&#60;img width="1536" height="1920" width_o="1536" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3cd08d447fc129ed9c38b58a9aaf8febd94e21466c179d6dc735cc870abcf8f1/David-Rodriguez-5.jpg" data-mid="137433005" border="0"  src="https://freight.cargo.site/w/1000/i/3cd08d447fc129ed9c38b58a9aaf8febd94e21466c179d6dc735cc870abcf8f1/David-Rodriguez-5.jpg" /&#62;
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/bdb0b182351eda463ee99e9e708dee1b87a3b23d9b3165d1a1433c9b146eeef6/BailarLaCiudad_MG_3050.jpg" data-mid="169323252" border="0"  src="https://freight.cargo.site/w/1000/i/bdb0b182351eda463ee99e9e708dee1b87a3b23d9b3165d1a1433c9b146eeef6/BailarLaCiudad_MG_3050.jpg" /&#62;























	︎

	

Bailar La Ciudad is committed to exploring, mapping, and showing the island's public celebrations and how they entail a vehicle to reinforce diverse identities and social cohesion. The project consisted of an exhibiton accompanied with a series of talks, conversations, and events during February and March 2022. It counted on the participation of the general public along a group of local choreographers, sociologists, anthropologists, musicians and DJs, historians, and urban designers; an approach that has contributed to elaborating a critical approach to this issue. It speculates how it might have helped define a communal
identity and creates an opportunity for collective reflection.
 



 



&#60;img width="282" height="400" width_o="282" height_o="400" data-src="https://freight.cargo.site/t/original/i/f988033506b2057c40460b52f25af523bee696599d7422265d36b59578aeef70/cnv-26.jpg" data-mid="169441904" border="0" data-scale="100" src="https://freight.cargo.site/w/282/i/f988033506b2057c40460b52f25af523bee696599d7422265d36b59578aeef70/cnv-26.jpg" /&#62;&#38;nbsp; &#60;img width="591" height="400" width_o="591" height_o="400" data-src="https://freight.cargo.site/t/original/i/59439cb8894448d366d1259a0addb290eefbfa8fb611cf1ad05d84fe15ce9b80/cnv-6.jpg" data-mid="169441883" border="0"  src="https://freight.cargo.site/w/591/i/59439cb8894448d366d1259a0addb290eefbfa8fb611cf1ad05d84fe15ce9b80/cnv-6.jpg" /&#62;&#38;nbsp; &#60;img width="282" height="400" width_o="282" height_o="400" data-src="https://freight.cargo.site/t/original/i/aa00ed7420cc4da5ccda2df6e091973e5ec54e70d41f379a72f63e77d4e732ab/cnv-27.jpg" data-mid="169441905" border="0"  src="https://freight.cargo.site/w/282/i/aa00ed7420cc4da5ccda2df6e091973e5ec54e70d41f379a72f63e77d4e732ab/cnv-27.jpg" /&#62;&#38;nbsp; 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&#38;nbsp;&#60;img width="272" height="400" width_o="272" height_o="400" data-src="https://freight.cargo.site/t/original/i/69bd63361184fd2169b5f4816fd9a6b819916bb8a5ac503628f6515b769eac41/cnv-24.jpg" data-mid="169441902" border="0"  src="https://freight.cargo.site/w/272/i/69bd63361184fd2169b5f4816fd9a6b819916bb8a5ac503628f6515b769eac41/cnv-24.jpg" /&#62; &#38;nbsp;&#60;img width="289" height="400" width_o="289" height_o="400" data-src="https://freight.cargo.site/t/original/i/6d1f32b7b42398d5a079e5abb68caba9146c3e3b299bb2f156a80b62e0691d49/cnv-17.jpg" data-mid="169441894" border="0"  src="https://freight.cargo.site/w/289/i/6d1f32b7b42398d5a079e5abb68caba9146c3e3b299bb2f156a80b62e0691d49/cnv-17.jpg" /&#62; &#38;nbsp;&#60;img width="601" height="400" width_o="601" height_o="400" data-src="https://freight.cargo.site/t/original/i/b45dd0d80a79205af261a26c46a2608c448c63503e0838e138eaccbe72637031/cnv-14.jpg" data-mid="169441891" border="0"  src="https://freight.cargo.site/w/601/i/b45dd0d80a79205af261a26c46a2608c448c63503e0838e138eaccbe72637031/cnv-14.jpg" /&#62; &#38;nbsp;&#60;img width="262" height="400" width_o="262" height_o="400" data-src="https://freight.cargo.site/t/original/i/6465132054dd157c4798c6b0c806bf4a2c04a5325a7ab5172c43cfa91b5a1f7a/cnv-21.jpg" data-mid="169441899" border="0"  src="https://freight.cargo.site/w/262/i/6465132054dd157c4798c6b0c806bf4a2c04a5325a7ab5172c43cfa91b5a1f7a/cnv-21.jpg" /&#62; &#38;nbsp;&#60;img width="266" height="400" width_o="266" height_o="400" data-src="https://freight.cargo.site/t/original/i/0f76529a1a2273412505be4c79ae7b8de4af1845a44a835dedec0e07eee0dafa/cnv-23.jpg" data-mid="169441901" border="0"  src="https://freight.cargo.site/w/266/i/0f76529a1a2273412505be4c79ae7b8de4af1845a44a835dedec0e07eee0dafa/cnv-23.jpg" /&#62; &#38;nbsp;&#60;img width="595" height="400" width_o="595" height_o="400" data-src="https://freight.cargo.site/t/original/i/2a2ed90b49d7205d9a1715ffe5b5b0f47cc1d3b2313085964d1527bf5cdf6762/cnv-15.jpg" data-mid="169441892" border="0"  src="https://freight.cargo.site/w/595/i/2a2ed90b49d7205d9a1715ffe5b5b0f47cc1d3b2313085964d1527bf5cdf6762/cnv-15.jpg" /&#62; &#38;nbsp;&#60;img width="565" height="400" width_o="565" height_o="400" data-src="https://freight.cargo.site/t/original/i/9f4192f72123b0a976e7d50cb83d033ce0f3ca2652b67adb05dd55a8dec1ff8c/cnv-16.jpg" data-mid="169441893" border="0"  src="https://freight.cargo.site/w/565/i/9f4192f72123b0a976e7d50cb83d033ce0f3ca2652b67adb05dd55a8dec1ff8c/cnv-16.jpg" /&#62; &#38;nbsp;&#60;img width="266" height="400" width_o="266" height_o="400" data-src="https://freight.cargo.site/t/original/i/24ecda0ed6617db9bdcef97c1bda86e8a142a0d24e9b558a50944865197717e3/cnv-18.jpg" data-mid="169441895" border="0"  src="https://freight.cargo.site/w/266/i/24ecda0ed6617db9bdcef97c1bda86e8a142a0d24e9b558a50944865197717e3/cnv-18.jpg" /&#62;


&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/06bc6c34a126e0dc4719aa68c7d2b37455b4e78269a5791d4738d89d34e07599/David-Rodriguez-6.jpg" data-mid="169318008" border="0"  src="https://freight.cargo.site/w/1000/i/06bc6c34a126e0dc4719aa68c7d2b37455b4e78269a5791d4738d89d34e07599/David-Rodriguez-6.jpg" /&#62;
&#60;img width="2991" height="4486" width_o="2991" height_o="4486" data-src="https://freight.cargo.site/t/original/i/cf5c5246e17efb99158a842514025e31910e3e57bbe6e0be481f8d3f381536ee/blc-ei-15.jpg" data-mid="169323366" border="0"  src="https://freight.cargo.site/w/1000/i/cf5c5246e17efb99158a842514025e31910e3e57bbe6e0be481f8d3f381536ee/blc-ei-15.jpg" /&#62;





	︎

	

Bailar La Ciudad is a project for everyone. Not only because of the wide range of people involved but also because it is a project that does not end here, that cannot end here. Our aspirations to create community do not end with the photos and Instagram stories, because communities can grow, evolve and continue to be enriched. We hope to see you all at the next carnival, the next verbena, romería, or rave; as we look forward to continuing sharing ideas and reflections, trying to make our festivals and our cities more friendly, safe, and open-spaced.




	

	


&#60;img width="800" height="1120" width_o="800" height_o="1120" data-src="https://freight.cargo.site/t/original/i/0d4fe61a564be07c884a6e005669959a61c2aa4885b9c7e12b648f84fa99b400/David-Rodriguez-8.jpg" data-mid="169318447" border="0"  src="https://freight.cargo.site/w/800/i/0d4fe61a564be07c884a6e005669959a61c2aa4885b9c7e12b648f84fa99b400/David-Rodriguez-8.jpg" /&#62;
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4c20cabdcc1198ebb4511e5d9957f7940c5ccaf5679629457edc0507f8e2deaf/BailarLaCiudad_MG_2830.jpg" data-mid="169323327" border="0"  src="https://freight.cargo.site/w/1000/i/4c20cabdcc1198ebb4511e5d9957f7940c5ccaf5679629457edc0507f8e2deaf/BailarLaCiudad_MG_2830.jpg" /&#62;

	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/a4df0e430c34d93467cb45e1104ea48001ec0f60009e89587d2291c2b4255e68/Ernesto-Ibaez-4.jpg" data-mid="137433006" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/a4df0e430c34d93467cb45e1104ea48001ec0f60009e89587d2291c2b4255e68/Ernesto-Ibaez-4.jpg" /&#62;






* a project with multiple voices formed by: Pablo Castillo, Ernesto Ibáñez, Héctor Suárez, Jorge Rubio, Pablo Delgado, Lila Suárez, Víctor García Alemán, SantanaSantanaLilia Ana Ramos, Alba Gil, Pablo Estévez, Kilian González (HIGHKILI), Carlos Ojeda, Chef-P, Calima, Haus of Otherness, María Rodríguez, Martín García, Aurora Saseta





&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/381851795d8897eda7cd2a5fc0eec65a3c661404ca510fe0bd17e20982c5f088/Blc-web-26.jpg" data-mid="169337206" border="0"  src="https://freight.cargo.site/w/1000/i/381851795d8897eda7cd2a5fc0eec65a3c661404ca510fe0bd17e20982c5f088/Blc-web-26.jpg" /&#62;
&#60;img width="1377" height="1280" width_o="1377" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c94228da70db26527e0a0c36061ba07408f309242bacc1799c69b95bbe57674b/Blc-web-33.jpg" data-mid="169317427" border="0"  src="https://freight.cargo.site/w/1000/i/c94228da70db26527e0a0c36061ba07408f309242bacc1799c69b95bbe57674b/Blc-web-33.jpg" /&#62;

 
	






	

+ Team: 

Pablo Castillo, Ernesto Ibáñez, Héctor Suárez, Jorge Rubio, Pablo Delgado, Lila Suárez, Víctor García Alemán. 

+ Original Idea: à la sauvette + Graphic Design / Identity: Santana Santana+ Video: à la sauvette+ Photographers: David Rodríguez, Jonay PMatos, María Galindo, Ernesto Ibáñez&#38;nbsp;+ Collaborators: Lilia Ana Ramos, Alba Gil, Pablo Estévez, Kilian González (HIGHKILI), Carlos Ojeda, Chef-P, Calima, Haus of Otherness, María Rodríguez, Martín García, Aurora Saseta
	2021 
— 22




</description>
		
	</item>
		
		
	<item>
		<title>/ The Garden of Attractor Sounds /</title>
				
		<link>https://alasauvette.studio/The-Garden-of-Attractor-Sounds-1</link>

		<pubDate>Sun, 14 Nov 2021 15:17:52 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/The-Garden-of-Attractor-Sounds-1</guid>

		<description>




	The Garden of Attractor Sounds
	Location: Radialsystem.
 Berlin, DE



The Garden of Attractor Sounds was an interactive sound installation exhibited at the Driving the Human Festival 2021 in Berlin.


&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/5e823bac99ead5691c49513205492d572adaef15b053ebf90cdeb7d7166420ce/maria-ibanez-als-1.jpg" data-mid="124500259" border="0"  src="https://freight.cargo.site/w/1000/i/5e823bac99ead5691c49513205492d572adaef15b053ebf90cdeb7d7166420ce/maria-ibanez-als-1.jpg" /&#62;
&#60;img width="4735" height="3157" width_o="4735" height_o="3157" data-src="https://freight.cargo.site/t/original/i/ddf910bbba42c87dd51ed3c72e469e56dd6907f96351a25218c4e3909449435e/Danceispolitics-1001.jpg" data-mid="124500258" border="0"  src="https://freight.cargo.site/w/1000/i/ddf910bbba42c87dd51ed3c72e469e56dd6907f96351a25218c4e3909449435e/Danceispolitics-1001.jpg" /&#62;



&#60;img width="1200" height="848" width_o="1200" height_o="848" data-src="https://freight.cargo.site/t/original/i/2f3ec9a644b3461e5be729720c8cdc57c5be90cba7e066e9991978b5e61085e5/Assemblage-3.gif" data-mid="128498348" border="0"  src="https://freight.cargo.site/w/1000/i/2f3ec9a644b3461e5be729720c8cdc57c5be90cba7e066e9991978b5e61085e5/Assemblage-3.gif" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/ebdd7881f09ddd3dcf352d6ec62a84f41e9abc7fea9eabcc82e4333edbb50013/maria-ibanez-als-8.jpg" data-mid="124500263" border="0"  src="https://freight.cargo.site/w/1000/i/ebdd7881f09ddd3dcf352d6ec62a84f41e9abc7fea9eabcc82e4333edbb50013/maria-ibanez-als-8.jpg" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/784f9478b638ae397f0a6d74b22cd7eb3845be5381bd943d5e3464181aa5c8bf/Danceispolitics-0757.jpg" data-mid="124500257" border="0"  src="https://freight.cargo.site/w/1000/i/784f9478b638ae397f0a6d74b22cd7eb3845be5381bd943d5e3464181aa5c8bf/Danceispolitics-0757.jpg" /&#62;



&#60;img width="5206" height="3271" width_o="5206" height_o="3271" data-src="https://freight.cargo.site/t/original/i/77b962b8212ccaefb5f55a7e37b84ef3493585c4b7842551dca4aa4ba2f5766a/tgoas-dr-02.jpg" data-mid="168934836" border="0"  src="https://freight.cargo.site/w/1000/i/77b962b8212ccaefb5f55a7e37b84ef3493585c4b7842551dca4aa4ba2f5766a/tgoas-dr-02.jpg" /&#62;



	︎

	

The project highlights the potential of 'the party' in the public space for catalyzing instant communities without defined borders. It explores an alternative way of rethinking the city in terms of care and pleasure through the celebration as a mechanism for reclaiming urban space. Aware of today's erosion of community, The Garden of Attractor Sounds highlights the creation of human assemblages as an act of resistance.


	



&#60;img width="4862" height="3241" width_o="4862" height_o="3241" data-src="https://freight.cargo.site/t/original/i/966667d050aa3e9121fbf087c5d21925e9f9eaf55868d65202d39454467ce3a0/Danceispolitics-1-2.jpg" data-mid="124500255" border="0"  src="https://freight.cargo.site/w/1000/i/966667d050aa3e9121fbf087c5d21925e9f9eaf55868d65202d39454467ce3a0/Danceispolitics-1-2.jpg" /&#62;
&#60;img width="300" height="291" width_o="300" height_o="291" data-src="https://freight.cargo.site/t/original/i/b2f44ffee2148a51499915d5c660ea3b931bd9c6986dcc2b7292e2a87feabcbc/Sin-ttulo-2.gif" data-mid="168934844" border="0"  src="https://freight.cargo.site/w/300/i/b2f44ffee2148a51499915d5c660ea3b931bd9c6986dcc2b7292e2a87feabcbc/Sin-ttulo-2.gif" /&#62;
&#60;img width="2606" height="3909" width_o="2606" height_o="3909" data-src="https://freight.cargo.site/t/original/i/f8483107701368e12eed5054cd7e23fda24d470e09709a0991d0d0ed091dfb80/maria-ibanez-als-2.jpg" data-mid="124500260" border="0"  src="https://freight.cargo.site/w/1000/i/f8483107701368e12eed5054cd7e23fda24d470e09709a0991d0d0ed091dfb80/maria-ibanez-als-2.jpg" /&#62;
&#60;img width="1000" height="652" width_o="1000" height_o="652" data-src="https://freight.cargo.site/t/original/i/e54a0d35d45a91e11a622e342e221206866ef8aca6d05b50336a38c626032c42/movement---211229.gif" data-mid="128498241" border="0"  src="https://freight.cargo.site/w/1000/i/e54a0d35d45a91e11a622e342e221206866ef8aca6d05b50336a38c626032c42/movement---211229.gif" /&#62;
&#60;img width="5066" height="3377" width_o="5066" height_o="3377" data-src="https://freight.cargo.site/t/original/i/79a5752f03768afa72a5689e651db5ee1f2f35b9852c808277095d2777d8f081/Danceispolitics-0992.jpg" data-mid="124503461" border="0"  src="https://freight.cargo.site/w/1000/i/79a5752f03768afa72a5689e651db5ee1f2f35b9852c808277095d2777d8f081/Danceispolitics-0992.jpg" /&#62;
&#60;img width="6914" height="2770" width_o="6914" height_o="2770" data-src="https://freight.cargo.site/t/original/i/9e36d510cc3ba4595d35a450377b6b4e8f8c286d7a5ef094f0fb89ab72a87933/als-drawing-red-2.png" data-mid="125454773" border="0"  src="https://freight.cargo.site/w/1000/i/9e36d510cc3ba4595d35a450377b6b4e8f8c286d7a5ef094f0fb89ab72a87933/als-drawing-red-2.png" /&#62;



*the speakers played a 10-hour-non-stop music set curated by 13 Canarian music artists: Rancel, Chef P, Javier Carballo, Highkili, Irtap, Inrra, Luishock, Arnic, Pdrs A, Blein, Soliad, Mikoon and Rob Mdna. The technical settings were made by Idir Expósito.



&#60;img width="5206" height="3271" width_o="5206" height_o="3271" data-src="https://freight.cargo.site/t/original/i/dfca71b250c18ff4eb9cb04dbb9b3fc44b52aa0b6b732fd37c60d0b413b79941/tgoas-dr-01.jpg" data-mid="168934838" border="0"  src="https://freight.cargo.site/w/1000/i/dfca71b250c18ff4eb9cb04dbb9b3fc44b52aa0b6b732fd37c60d0b413b79941/tgoas-dr-01.jpg" /&#62;


	︎

	

The installation consists of a system of speakers distributed throughout a room. Each speaker is computationally enhanced with an ultrasonic sensor programmed to adjust the volume of the music based on its distance from the listener. The installation's functioning does not depend on each user but rather on the collectivity. Therefore each visit is unique, depending on the number of people present, their proximity to the speakers, and their behaviors. All in all, you need people to throw a real party.


	



&#60;img width="4648" height="3099" width_o="4648" height_o="3099" data-src="https://freight.cargo.site/t/original/i/a14530e9afba1baf9af29ad421d4f2aeb2deb3314d7dc857f8f8acb9fc824b97/Danceispolitics-0819.jpg" data-mid="168934863" border="0"  src="https://freight.cargo.site/w/1000/i/a14530e9afba1baf9af29ad421d4f2aeb2deb3314d7dc857f8f8acb9fc824b97/Danceispolitics-0819.jpg" /&#62;
&#60;img width="3047" height="4570" width_o="3047" height_o="4570" data-src="https://freight.cargo.site/t/original/i/d2b0b9d4be1265b7857a1a1dbc6e0b8ef91cc96ff5923fff0e601859173511c9/Danceispolitics-0439.jpg" data-mid="168934872" border="0"  src="https://freight.cargo.site/w/1000/i/d2b0b9d4be1265b7857a1a1dbc6e0b8ef91cc96ff5923fff0e601859173511c9/Danceispolitics-0439.jpg" /&#62;



	+ Team: Pablo Castillo, Ernesto Ibáñez, Héctor Suárez
+ Idea and design: à la sauvette&#38;nbsp; /&#38;nbsp; Engineering: Idir Expósito&#38;nbsp;
+&#38;nbsp;Photos: María Galindo&#38;nbsp; /&#38;nbsp; Drawings: à la sauvette


+ Info:&#38;nbsp;https://drivingthehuman.com/
	2021


</description>
		
	</item>
		
		
	<item>
		<title>Moving Layers</title>
				
		<link>https://alasauvette.studio/Moving-Layers</link>

		<pubDate>Sat, 11 Feb 2023 18:27:59 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Moving-Layers</guid>

		<description>


	Moving Layers — a partyful device

	Trienal de Arquitectura de Lisboa, PT





&#60;img width="3247" height="4871" width_o="3247" height_o="4871" data-src="https://freight.cargo.site/t/original/i/ce7fc06d48501e57ff58cc5de5bc3320c401fb4df021f0becfc03f6d1816f030/ML-6.jpg" data-mid="168049224" border="0"  src="https://freight.cargo.site/w/1000/i/ce7fc06d48501e57ff58cc5de5bc3320c401fb4df021f0becfc03f6d1816f030/ML-6.jpg" /&#62;
&#60;img width="595" height="445" width_o="595" height_o="445" data-src="https://freight.cargo.site/t/original/i/002df04c78ec0021acf8dabb495ea0d1950d88e136bdd4f7605cba376b67cc37/CP-gif-01-r.gif" data-mid="168049231" border="0"  src="https://freight.cargo.site/w/595/i/002df04c78ec0021acf8dabb495ea0d1950d88e136bdd4f7605cba376b67cc37/CP-gif-01-r.gif" /&#62;
&#60;img width="3068" height="4602" width_o="3068" height_o="4602" data-src="https://freight.cargo.site/t/original/i/e4931f3bc8a91354524478286f142447b01cb08ea089c7912029a50fd0d4e9f4/ML-5.jpg" data-mid="168049223" border="0"  src="https://freight.cargo.site/w/1000/i/e4931f3bc8a91354524478286f142447b01cb08ea089c7912029a50fd0d4e9f4/ML-5.jpg" /&#62;

&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/210c84816be035d0ded821a9fa0a419626f6ef518182156fe27d38c760957513/Escaneo-TPIW-001.jpg" data-mid="168049219" border="0"  src="https://freight.cargo.site/w/1000/i/210c84816be035d0ded821a9fa0a419626f6ef518182156fe27d38c760957513/Escaneo-TPIW-001.jpg" /&#62;


why is that people don’t dance in the streets today?*&#38;nbsp; /&#38;nbsp; Christopher Alexander wrote about that in&#38;nbsp;A Pattern Language: Towns, Buildings, Construction, his famous book from 1977&#38;nbsp; /&#38;nbsp; &#38;nbsp;


&#60;img width="3456" height="4285" width_o="3456" height_o="4285" data-src="https://freight.cargo.site/t/original/i/64ed2b1fef569dc812897e0630de608438de3eb143ff6b76192b8378395f68d1/ML-11b.jpg" data-mid="168049236" border="0"  src="https://freight.cargo.site/w/1000/i/64ed2b1fef569dc812897e0630de608438de3eb143ff6b76192b8378395f68d1/ML-11b.jpg" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/5e414230481abade5631239c09011c8934ffa78ab23e7cb933a1078dff6554a0/ML-13-2.jpg" data-mid="168049235" border="0"  src="https://freight.cargo.site/w/1000/i/5e414230481abade5631239c09011c8934ffa78ab23e7cb933a1078dff6554a0/ML-13-2.jpg" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/2850bbdadf5f8f7c0eea45ebb9d258c5ab7ed12b383be43e2584ef0698b03ab1/ML-12.jpg" data-mid="168049234" border="0"  src="https://freight.cargo.site/w/1000/i/2850bbdadf5f8f7c0eea45ebb9d258c5ab7ed12b383be43e2584ef0698b03ab1/ML-12.jpg" /&#62;
&#60;img width="595" height="445" width_o="595" height_o="445" data-src="https://freight.cargo.site/t/original/i/446935b04786a65ca9eeab16eb5a35d102197ceab7dfed3e5140836b955fdc06/CP-gif-02-r.gif" data-mid="168049232" border="0"  src="https://freight.cargo.site/w/595/i/446935b04786a65ca9eeab16eb5a35d102197ceab7dfed3e5140836b955fdc06/CP-gif-02-r.gif" /&#62;



&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/de5326be64b796a237c6f6f96eb0773251fa213596def345d83c47a2d63fa356/Escaneo-TPIW-003.jpg" data-mid="168881201" border="0"  src="https://freight.cargo.site/w/1000/i/de5326be64b796a237c6f6f96eb0773251fa213596def345d83c47a2d63fa356/Escaneo-TPIW-003.jpg" /&#62;



 
	︎


	





















The revolution of Adolphe Appia, a
pioneer of modern theater staging and lighting techniques, was based on providing
scenic space with three-dimensional characteristics and controlled lighting.
This way, he aimed to replace the two-dimension background of classical theater
with a volumetric and traversable one that will connect the actor with the
scene Moving Layers works with the same principle Appia used to create a revolution
for the spatial experience: walking the path between two-dimensionality and
three-dimensionality. 
Moving Layers is an artifact that represents movement in 4
layers; image, sculpture, video, and celebration, that aims to creating
awareness about different mobilities in the contemporary city.













&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/1574de6b268d5c7a2217bdbcdad960f14d6262e14ba14848757019ecb5256c7b/ML-8.jpg" data-mid="168049226" border="0"  src="https://freight.cargo.site/w/1000/i/1574de6b268d5c7a2217bdbcdad960f14d6262e14ba14848757019ecb5256c7b/ML-8.jpg" /&#62;
&#60;img width="3427" height="5140" width_o="3427" height_o="5140" data-src="https://freight.cargo.site/t/original/i/ffa09d0902727c6b366873842134e041559fa53c18b30bf05d201920773a80cf/ML-4.jpg" data-mid="168049222" border="0"  src="https://freight.cargo.site/w/1000/i/ffa09d0902727c6b366873842134e041559fa53c18b30bf05d201920773a80cf/ML-4.jpg" /&#62;
&#60;img width="3455" height="4734" width_o="3455" height_o="4734" data-src="https://freight.cargo.site/t/original/i/6cfe9d8202fc26beea34872ac969074191e789415ad7f6aed826658d2594237b/ML-14c.jpg" data-mid="168862670" border="0"  src="https://freight.cargo.site/w/1000/i/6cfe9d8202fc26beea34872ac969074191e789415ad7f6aed826658d2594237b/ML-14c.jpg" /&#62;






	+ Team: Pablo Castillo, Ernesto Ibáñez, Héctor Suárez. 

+ Video/Music: Carlos Peña (@carlos_karlst)&#38;nbsp; //&#38;nbsp;Book edition: Theatrum Mundi Editions 
+ Photos: à la sauvette
	&#38;nbsp;2022&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>BLC book</title>
				
		<link>https://alasauvette.studio/BLC-book</link>

		<pubDate>Wed, 22 Feb 2023 16:23:09 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/BLC-book</guid>

		<description>


	BLC. Editorial work
	Location: Las Palmas GC, IC





What if the cities of the future were designed based on pleasure and care?&#38;nbsp; What if the party is also the future; a potential new approach to social relations, spatial development, and cultural interaction?


&#60;img width="3777" height="2698" width_o="3777" height_o="2698" data-src="https://freight.cargo.site/t/original/i/8fa79e47b94e3e0667f14633087fe9133e14bbe79e260e35984d4652760d3ae8/BLC-b-4.jpg" data-mid="169329714" border="0"  src="https://freight.cargo.site/w/1000/i/8fa79e47b94e3e0667f14633087fe9133e14bbe79e260e35984d4652760d3ae8/BLC-b-4.jpg" /&#62;


&#60;img width="3243" height="4864" width_o="3243" height_o="4864" data-src="https://freight.cargo.site/t/original/i/bbce3d7ebd5f51c7988e672c57adb66c357b59e00697d18a1924cdf0cd7ec36f/zulo-blc-10.jpg" data-mid="171762467" border="0"  src="https://freight.cargo.site/w/1000/i/bbce3d7ebd5f51c7988e672c57adb66c357b59e00697d18a1924cdf0cd7ec36f/zulo-blc-10.jpg" /&#62;
&#60;img width="3456" height="4185" width_o="3456" height_o="4185" data-src="https://freight.cargo.site/t/original/i/2e2f79940e3e4e79a23c4c463ba1489961f2ac214f55dac9ebed963eeb3bd71d/zulo-blc-7b.jpg" data-mid="169330305" border="0"  src="https://freight.cargo.site/w/1000/i/2e2f79940e3e4e79a23c4c463ba1489961f2ac214f55dac9ebed963eeb3bd71d/zulo-blc-7b.jpg" /&#62;
&#60;img width="3913" height="2795" width_o="3913" height_o="2795" data-src="https://freight.cargo.site/t/original/i/9656d2a0d1d1743652c51ccb03d82fd65753dbc2edc8c9ca0c6e21c8ffcbdb3b/BLC-b-1.jpg" data-mid="169329971" border="0"  src="https://freight.cargo.site/w/1000/i/9656d2a0d1d1743652c51ccb03d82fd65753dbc2edc8c9ca0c6e21c8ffcbdb3b/BLC-b-1.jpg" /&#62;


*with contributions of: Nira Santana, Liliana Ana Ramos, Víctor García, Pablo Estévez, Haus of Otherness, Carlos Ojeda, Ernesto Ibáñez, and the whole team in the ‘Conversaciones’





&#60;img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/55dbd623d2eef72e466950d6d9886758a049052ab09d4e6f881e50298e23d1e0/BLC-book.gif" data-mid="173236007" border="0"  src="https://freight.cargo.site/w/1000/i/55dbd623d2eef72e466950d6d9886758a049052ab09d4e6f881e50298e23d1e0/BLC-book.gif" /&#62;



 
	︎


	























In contrast to the exclusivity of nightclubs and the limitations of private space –to which not everyone has equal access– popular celebrations find a middle ground. However, with urban and social relationships increasingly at stake, how can public celebrations help us rethink the future urban conditions? Dancing the City aims to lay the foundations for a collective conversation with an interdisciplinary approach; it invites architects, urban planners, historians, musicians, philosophers, and anthropologists, to reflect on the role of public parties in the urban environment. Dancing the City’s multifaceted scope crystalizes in three formats: an exhibition, a lecture series, and a publication. It is a collective reflection that aims to acknowledge multiple and contesting perspectives in rethinking the urban context through public celebrations.
 





	



&#60;img width="3913" height="2795" width_o="3913" height_o="2795" data-src="https://freight.cargo.site/t/original/i/67f55cd5c8617d2abaa0b9b69e224e96354e5ae135be631f544c29245830287b/BLC-b-2.jpg" data-mid="169332251" border="0"  src="https://freight.cargo.site/w/1000/i/67f55cd5c8617d2abaa0b9b69e224e96354e5ae135be631f544c29245830287b/BLC-b-2.jpg" /&#62;
&#60;img width="3049" height="4573" width_o="3049" height_o="4573" data-src="https://freight.cargo.site/t/original/i/0ac9af82861018fff0d30901d5aaad614ae394c24d30d8ec4c9b9713270e0955/zulo-blc-2.jpg" data-mid="169332374" border="0"  src="https://freight.cargo.site/w/1000/i/0ac9af82861018fff0d30901d5aaad614ae394c24d30d8ec4c9b9713270e0955/zulo-blc-2.jpg" /&#62;




	




+ Bailar La Ciudad. Una reflexión sobre nuevos modelos de relación urbana, social e identitaria. Paperback, 151x198 mm. 163 pages.


+ Edition: Ernesto Ibáñez, Víctor García Alemán, Héctor Suárez+ Team: Pablo Castillo, Ernesto Ibáñez, Héctor Suárez, Jorge Rubio, Pablo Delgado, Lila Suárez, Víctor García Alemán
+ Launch event: Zulo LPGC
+ 
Contributions: Nira Santana, Lilia Ana Ramos, Pablo Estévez, Vivien Déniz, Aike Hernández, Carlos Ojeda.

+ Graphic Design: Santana Santana 


+ Photos: David Rodríguez, María Galindo, Jonay PMatos, Ernesto Ibáñez

+ Editorial: Cabildo de Gran Canaria (ISBN 978-84-1353-086-4)
	&#38;nbsp;2022&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>/ Three parties in wonderland /</title>
				
		<link>https://alasauvette.studio/Three-parties-in-wonderland</link>

		<pubDate>Thu, 25 Nov 2021 17:45:50 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Three-parties-in-wonderland</guid>

		<description>
	Three Parties in Wonderland
	Location: London, Paris, Lisbon.



	







Three Parties in Wonderland is a series of interactive installations set up in different public-access spaces through London, Paris, and Lisbon in the context of Movement Forum 2021.

 













&#60;img width="3216" height="4446" width_o="3216" height_o="4446" data-src="https://freight.cargo.site/t/original/i/851b9552636da350a591408ca1e18c8263e96a3d74dac9698a2c5de2b69acaa1/3_Lisbon_lab_-1.jpg" data-mid="125653219" border="0"  src="https://freight.cargo.site/w/1000/i/851b9552636da350a591408ca1e18c8263e96a3d74dac9698a2c5de2b69acaa1/3_Lisbon_lab_-1.jpg" /&#62;
&#60;img width="2962" height="3950" width_o="2962" height_o="3950" data-src="https://freight.cargo.site/t/original/i/ac26c53da5f7c21edd665c8c61c047730ee992bb1a5d906aa17cabc06bb05a6d/1_London_lab_-11.jpg" data-mid="125652708" border="0"  src="https://freight.cargo.site/w/1000/i/ac26c53da5f7c21edd665c8c61c047730ee992bb1a5d906aa17cabc06bb05a6d/1_London_lab_-11.jpg" /&#62;
















	︎
	

Based on three passages from the novels Alice in Wonderland and Alice Through the Looking Glass, by Lewis Carroll, we designed three stages for the Movement Forum Labs. Three Parties in Wonderland explores how spatial design and the temporary transformation of public space for 'the party' as a mechanism for social encounters can provide insight into the three themes of the 2021 Movement Forum: London Lab. Power and Gender; Paris Lab. Wildness and Queer Counter-Publics; Lisbon Lab. Topographies of the body and landscape. The work was developed together with Theatrum Mundi across three labs that addressed different issues on design and urban mobilities as part of the 2021 Future Architecture European Programme under the theme "Landscapes of Care."


	








	
&#60;img width="2592" height="4032" width_o="2592" height_o="4032" data-src="https://freight.cargo.site/t/original/i/339452203311394afae21562eb5e77054b74965749b7330869010fc6dc21748a/1_London_lab_-13.jpg" data-mid="125653731" border="0"  src="https://freight.cargo.site/w/1000/i/339452203311394afae21562eb5e77054b74965749b7330869010fc6dc21748a/1_London_lab_-13.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/96c66a97fe9f776a2736a3aeac1180e1497b710ffbdf76307e93327acce377ad/1_London_lab_-16.jpg" data-mid="125652884" border="0"  src="https://freight.cargo.site/w/1000/i/96c66a97fe9f776a2736a3aeac1180e1497b710ffbdf76307e93327acce377ad/1_London_lab_-16.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3a06ba4aa80fd943912f39815f349115cf94a89e8b0f2601d90a20db2e080fb6/1_London_lab_-7.JPG" data-mid="125653348" border="0"  src="https://freight.cargo.site/w/1000/i/3a06ba4aa80fd943912f39815f349115cf94a89e8b0f2601d90a20db2e080fb6/1_London_lab_-7.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/01344e409c7b8a64c58a390a82d0a2e3d40a1f2aa4ef86c0fa6aeaea11a8c27e/IMG_9531.jpg" data-mid="168882967" border="0"  src="https://freight.cargo.site/w/1000/i/01344e409c7b8a64c58a390a82d0a2e3d40a1f2aa4ef86c0fa6aeaea11a8c27e/IMG_9531.jpg" /&#62;




	







︎




	

"Through the looking glass", "The wood where things have no name," and "The right size?" together form Three Parties in Wonderland, an alternative narrative in three acts; a continuous design-based exploration of the ways in which self-managed celebrations can entail an opportunity for resistance to the existing rules and established power dynamics that permit/restrict different mobilities in the city.


	



	
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&#60;img width="425" height="241" width_o="425" height_o="241" data-src="https://freight.cargo.site/t/original/i/48a001febd33fb064bd6f709b1820ef3c8416d905818c652152e3387800907c0/Sin-ttulo-1.gif" data-mid="168882966" border="0"  src="https://freight.cargo.site/w/425/i/48a001febd33fb064bd6f709b1820ef3c8416d905818c652152e3387800907c0/Sin-ttulo-1.gif" /&#62;
&#60;img width="2945" height="3926" width_o="2945" height_o="3926" data-src="https://freight.cargo.site/t/original/i/02d44dfb8e3a9ab317c576384a69ac8d03c0a94fcd824d857a8c73381d0b33b5/2_Paris_lab_-11.jpg" data-mid="125653747" border="0"  src="https://freight.cargo.site/w/1000/i/02d44dfb8e3a9ab317c576384a69ac8d03c0a94fcd824d857a8c73381d0b33b5/2_Paris_lab_-11.jpg" /&#62;








	+ Team: Pablo Castillo, Ernesto Ibáñez, Héctor Suárez. &#38;nbsp;+ Collaborators and acknowledgements: John Bingham-Hall, Fani Kostourou, Elahe Karimnia, Fem_arc, Rebecca Faulkner, Sara Wookey, Habibitch, Rosario Talevi, Takako Hasegawa, Rafael Alvarez+ Photos: à la sauvette, Fani Kostorou, Rebecca Faulkner, John Bingham-Hall


	2021



</description>
		
	</item>
		
		
	<item>
		<title>/ Dance is Politics /</title>
				
		<link>https://alasauvette.studio/Dance-is-Politics</link>

		<pubDate>Tue, 30 Nov 2021 08:50:46 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Dance-is-Politics</guid>

		<description>
	Dance is Politics

	Mao 
Ljubljana, SI


Exhibited in the Creative Exchange 2021 in Mao Ljubljana, Dance is Politics reclaims the appropriation of the public space through 'the party' and dancing as social catalysts from which to learn dynamics of solidarity and collective self-organization.





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&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5b6d720cb69cb74c7e5cc40211299c8d94ee61f1fc6af2fb6aa119c551011e0f/gif-esq-002.gif" data-mid="171592796" border="0"  src="https://freight.cargo.site/w/1000/i/5b6d720cb69cb74c7e5cc40211299c8d94ee61f1fc6af2fb6aa119c551011e0f/gif-esq-002.gif" /&#62;
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	︎
	

Dance is Politics imagines and proposes a new paradigm in which technology, environment, and social 
encounter merge in a replicable urban strategy based on the party as a political tool for representation. The project was selected amidst 457 submissions from 63 countries in the 2021 Call for Ideas of the Future Architecture Platform to participate in the Creative Exchange 2021 to discuss collectively new visions of what a relational practice of architecture might mean.

	


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&#60;img width="1920" height="630" width_o="1920" height_o="630" data-src="https://freight.cargo.site/t/original/i/18bd964edfc56a8088a3871ce915d49986a9230506ea471216d2976695b6c6b6/Dance-is-politics_a-la-sauvette-visual-studio_2020-competition-04.jpg" data-mid="126073462" border="0"  src="https://freight.cargo.site/w/1000/i/18bd964edfc56a8088a3871ce915d49986a9230506ea471216d2976695b6c6b6/Dance-is-politics_a-la-sauvette-visual-studio_2020-competition-04.jpg" /&#62;






	︎
	

We propose a system made of a physical component and a virtual one in continuous feedback. The physical part is a system of pots that move automatically to create various groupings of vegetation to limit agglomerations and ensure social distancing. The virtual one consists of a central system for analyzing and managing the data collected through sensors, which transmit real-time information to each pot on where to move in the urban space.


	









	


	
+ Team:&#38;nbsp;

Pablo Castillo, Ernesto Ibáñez, Héctor Suárez, Luis Bautista

+ Info: Future Architecture Platform, Koozarch,&#38;nbsp; Archicage



+ Drawings and video editing: à la sauvette
	2020


</description>
		
	</item>
		
		
	<item>
		<title>/ Pasa del crucero /</title>
				
		<link>https://alasauvette.studio/Pasa-del-crucero-1</link>

		<pubDate>Sat, 18 Feb 2023 19:22:50 +0000</pubDate>

		<dc:creator>à la sauvette</dc:creator>

		<guid isPermaLink="true">https://alasauvette.studio/Pasa-del-crucero-1</guid>

		<description>

¡Pasa del crucero!
	Location: Arrecife, IC





	


In 2019, 'La sal para todos!', a strategic intervention proposal on Arrecife's industrial landscape, won an international ideas competition. However, its message did not reach any of its inhabitants.


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&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/6ac37cf49c9bd2dd14e84a95fb2e584d8d0effbae2dbca4026315f720b31f747/_MG_8182-2.jpg" data-mid="168886678" border="0"  src="https://freight.cargo.site/w/1000/i/6ac37cf49c9bd2dd14e84a95fb2e584d8d0effbae2dbca4026315f720b31f747/_MG_8182-2.jpg" /&#62;





	︎

	

Would cinema make sense if only directors and cameras would watch it? The media capacity of the architectural practice is quite limited. Limitless reflections, proposals, and hypotheses on the territory occur throughout the year.Still, they rarely manage to get out of that closed intellectual circle the Architects™ have created. `Pasa del Crucero' is an idea of format re-mediation; the idea of the original competition wants to transcend the DIN A-2 PDF file in which it was initially presented to engage with locals and tourists.

This project aims to get the message of an urban design competition across Arrecife's inhabitants and tourists through one of the most popular souvenirs: the beach towel.


	


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&#60;img width="2476" height="3302" width_o="2476" height_o="3302" data-src="https://freight.cargo.site/t/original/i/fff54e11750f76dedb278df23b6a40f576af66f3ab3d3f3dab5159590663780e/_MG_8246-2.jpg" data-mid="168886679" border="0"  src="https://freight.cargo.site/w/1000/i/fff54e11750f76dedb278df23b6a40f576af66f3ab3d3f3dab5159590663780e/_MG_8246-2.jpg" /&#62;
&#60;img width="450" height="435" width_o="450" height_o="435" data-src="https://freight.cargo.site/t/original/i/a662f98a578e15aea6b88111fa3d02a568f6f8c53f8988f120b09ca16f03bb55/Sin-ttulo-1.gif" data-mid="171492176" border="0"  src="https://freight.cargo.site/w/450/i/a662f98a578e15aea6b88111fa3d02a568f6f8c53f8988f120b09ca16f03bb55/Sin-ttulo-1.gif" /&#62;



	

+ Team: Luis Bautista, Pablo Castillo, Ernesto Ibáñez, Héctor Suárez.


+ Photos and drawings: à la sauvette











	2021

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